Look around on social media, and you’ll find a lot of wince-inducing responses to the title of Kobi Libii’s debut feature, The American Society of Magical Negroes, ranging from people offended that it exists to people expressing ghoulish delight that they have an excuse to use the word “Negro” in public. Libii’s film is a darkly comedic satire building off a common trope first popularized as a term by director Spike Lee in 2001 — the Black movie characters, particularly in ’90s movies, who only exist to support white characters and further their character arcs. In Libii’s story, that Black support network is a codified secret society of Black men and women with actual magical powers, which they use to comfort and aid white people so they’ll be less brittle, tense, and inherently dangerous to people of color.