The Legend of Zelda: Tears of the Kingdom players have been spurred into investigating the game's three elemental dragons, after one player discovered they're hiding a neat little Triforce design on their backs.
08.05.2024 - 16:23 / polygon.com / Tim Burton / Freya Allan
Ten years ago, writer Drew McWeeny posed a question in the headline of his latest column: “Has life in the age of casual magic made moviegoers numb to the amazing?” Frustrated by news of what would be 2016’s Alice Through the Looking Glass, which he considered an unnecessary sequel to a film everyone saw and no one really loved, McWeeny revisited the film’s predecessor, Tim Burton’s Alice in Wonderland. He concluded that it was both a terrible movie and a technical marvel. McWeeny’s column articulated an existential crisis in both moviemaking and moviegoing: In a cinematic world without limits, the combination of extraordinary technical innovation and the lack of narrative ambition to match was making moviegoers numb.
Few recent films bring McWeeny’s words to mind more than Kingdom of the Planet of the Apes, Wes Ball’s stand-alone follow-up to the rebooted franchise that began with 2011’s Rise of the Planet of the Apes. Unlike the preceding trilogy, Kingdom is almost entirely an ape story. Noa (Owen Teague), a young chimpanzee from a secluded clan of eagle-raising hunters, seeks to free his people from the clutches of the warlord Proximus (Kevin Durand). Proximus wants to turn a world of disparate ape clans into a kingdom under his rule. The human Mae (The Witcher’s Freya Allan) — who can talk, hundreds of years after a human-made virus robbed most people of their intellects and voices — is caught between them.
As a story, Kingdom of the Planet of the Apes rarely reaches above narrative competence. But because of its almost single-minded focus on the apes, its technical prowess in their rendering is always front and center. It is frankly incredible what the team at Wētā FX has done in conjunction with all of the film’s other effects artists to bring the apes to life, to give them all distinct body language, and to faithfully transpose actors’ every tic and subtle expression onto their faces. These are some of the most soulful digital creations ever seen in a blockbuster action movie, and it’s incredible to see them in a film that is so pedestrian.
There are hints of compelling ideas here. The Apes franchise has long been interested in cycles of oppression, and in anxiety over humanity’s cruelty to its own outgroups, allegorized via the apes. These movies ask: Would victims of humanity’s worst impulses throughout history treat us in kind, were the tables turned?
Kingdom of the Planet of the Apes nods at this thematic heritage with its plot about Mae’s journey, which involves finding a way to restore language and communication to the human race. It raises the question of whether the apes can trust humans with a renewed power to self-actualize. Ball and the screenwriting team (Avatar: The Way of Water
The Legend of Zelda: Tears of the Kingdom players have been spurred into investigating the game's three elemental dragons, after one player discovered they're hiding a neat little Triforce design on their backs.
After teasing an upcoming chapter inspired by Dungeons & Dragons, Dead by Daylight has revealed its next killer pulled from the pages of the fantasy pen-and-paper RPG: Vecna, long-running mega-baddie and inspiration for the Stranger Things villain. He’ll be voiced by Critical Role dungeon master Matthew Mercer and haunt a new dungeon map, where you’ll be able to do battle as new elf and bard survivors able to roll a literal d20 when they crack open treasure chests.
Planet of the Apes is one of those franchises that won’t go away. The first entry hit theaters like an atomic bomb in 1968 and spawned four sequels, two television series, and a remakesteered by director Tim Burton in 2001. More recently, the Planet of the Apes reboot movies kicked off with 2011’s successful Rise of the Planet of the Apes, which paved the way for Matt Reeves’ critical and commercial smash Dawn of the Planet of the Apes in 2014 and War for the Planet of the Apes in 2017.
20th Century Fox’s Kingdom of the Planet of the Apes went bananas this weekend, raking in a reported $55-56M per Deadline. Strong previews and a $20 million Saturday propelled the sci-fi adventure to the top of the charts, while a $72.5M international haul pushed its global tally to $129M ($13.2M from Imax).
Apple officially discontinued its entire iPod range in 2022, leaving behind memories of a revolutionary product that strongly impacted the music and technology industry. It made little sense to continue selling these devices, as the company giant was selling iPhones in the millions, and its handsets could pretty much do everything the iPod could and more. However, there was a time when Microsoft founder Bill Gates was not so optimistic about Apple’s future with its music player family, stating that it could not sustain the iPod’s success, but there was a reason for these bold claims, as you will soon find out.
Spoiler warnings have become a polite way to signal to the internet that you’re about to discuss some aspect of a movie they might prefer not to know before seeing the film. People online have argued endlessly about what constitutes a spoiler and what needs a warning. But the question gets more complicated when a studio’s marketing for a movie is handing out the spoilers.
Kingdom of the Planet of the Apes hits theaters this weekend. If you were hoping to find ways to spend more time in that world through video games, your options are surprisingly slim. Your only easy option is Planet of the Apes: Last Frontier. This is a game I’ve seen almost no one talk about since it was released, but it’s a fascinating title that warrants a revisit.
is the fourth entry in the new Planet of the Apes franchise. If the team behind it have their say, there will be many more to come.
Right now, every industry faces discussions about how artificial intelligence might help or hinder work. In movies, creators are concerned that their work might be stolen to train AI replacements, their future jobs might be taken by machines, or even that the entire process of filmmaking could become fully automated, removing the need for everything from directors to actors to everybody behind the scenes.
The newest DLC for Vampire Survivors—Operation Guns—is out now on all platforms. The DLC brings with it a host of new content, including two new stages, new characters, and a new adventure. Check out the DLC’s launch trailer below.
Pokemon Scarlet and Violet brought a lot of new Pokemon into the franchise, but players are now debating which ones are the most forgettable. Pokemon Scarlet and Violet have introduced 114 new monsters to the Pokedex, including the ones in the base game and monsters added through DLC, but they weren't all created equal in players' minds.
Season 4 set photo has leaked, revealing the outfit Liam Hemsworth’s Geralt will wear in the upcoming season. Netflix is yet to provide an official first look at Hemsworth as Geralt of Rivia, but a new leak featuring his stunt double showcases the Witcher’s new suit.