Original Bayonetta director Hideki Kamiya suspects many of his ideas for the series will be going to the grave with him.
07.11.2023 - 15:31 / polygon.com / Michael Green
Blue Eye Samurai’s Mizu, the mixed-race swordmaster at the center of the show, wants to kill the four white men who were in Japan at the time of her birth.
The story takes place in 17th-century Edo Japan, a time of isolationism for the country, which meant no foreigners. Because of that, Mizu’s white features — particularly her striking blue eyes — alienate her. She hides her eyes behind yellow-tinted glasses and does her best to pass as fully Japanese, lest she be called a half-breed or a demon. It’s a compelling character motivation, and also a neat subversion of how we typically see biracial characters portrayed: namely, Mizu is a biracial character grappling with her identity in a setting that’s not primarily white or European.
Even though there are more multiracial characters on screen than ever before, they’re still overwhelmingly portrayed through a white lens. Often, the characters will be half-white and struggle to connect to their white family in predominantly white settings. This is especially true when it comes to biracial characters in historical movies and TV shows (or even fantasy settings inspired by history). Both 2013’s Belle and 2023’s Chevalier focused on the true stories of half-Black, half-white individuals proving themselves to their white peers — admirable and inspiring stories, but we rarely see how the opposite situation might play out. If biracial characters are depicted at all, it is usually in a majority-white-populated setting, be it Europe, North America, or some Euro-inspired fantasy world.
[Ed. note: This post contains spoilers for Blue Eye Samurai.]
That’s where Blue Eye Samurai subverts expectations. Unlike in what we typically see, Mizu disguises her white features. It’s her Japanese peers she must prove her skills to. And, oh, the reason she wants to murder the four white men is to kill whichever one could possibly be her father.
Amber Noizumi, who co-created the show with her husband, Michael Green, tells Polygon that she drew on her own experience as a mixed-race person when making the show. And she specifically chose to avoid a Western setting.
“I think so many mixed-race people feel caught between two worlds,” she explains. “Just to imagine living in the world that I’m not in and what it would be like to have people look at my white features and be shocked. It’s just an exploration of that, an exploration of identity.”
Multiracial people (myself included) are all too familiar with the constant interrogations from others about our physical appearances. Strangers, friends, and family alike all point out which features “belong” to which part of our identities, like our faces and bodies are a collage instead of one cohesive picture.
For multiracial people who
Original Bayonetta director Hideki Kamiya suspects many of his ideas for the series will be going to the grave with him.
Bayonetta creator Hideki Kamiya has revealed in a recent video on his YouTube channel that a collaboration between him and other major Japanese game developers, such as Metal Gear creator Hideo Kojima or Nier creator Yoko Taro would be a disaster.
Bayonetta series director Hideki Kamiya wanted to make nine entries in the franchise, and has suggested he probably shouldn't work with other famed Japanese game developers.
«Unemployed man» Hideki Kamiya continues to update his YouTube channel in the wake of his departure from Platinum, keeping the world at large updated on what he's been cooking, his opinions on onsen, and the last time he visited an aquarium.
Visual novel remake Tsukihime: A Piece of Blue Glass Moon will launch for PlayStation 4 and Switch in summer 2024 in the west, Aniplex and TYPE-MOON announced. Physical limited editions will be available for $79.99. Digital editions will be announced at a later date.
First reported by Japanese site 4Gamer.net and shared in English by <a data-analytics-id=«inline-link» href=«https://twitter.com/Genki_JPN/status/1726209453664686394?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1726209453664686394%7Ctwgr%5E68dee42e7fb91d6d1eb0fdd8c4fac7f22ec655f5%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fwww.redditmedia.com%2Fmediaembed%2F17ywazm%3Fresponsive%3Dtrueis_nightmode%3Dfalse» target="_blank" data-url=«https://twitter.com/Genki_JPN/status/1726209453664686394?ref_src=» https:>Genki_JPN
Like a Dragon: Infinite Wealth, essentially Yakuza 8, features a classic role-playing game job system that lets players become a samurai, surfer, housekeeper, and more.
Scalpers have started selling the PlayStation Portal for inflated prices, due to the gadget selling out at launch.
Back in August of this year, it was announced that Sega of America employees would be forming a union—the Allied Employees Guild Improving Sega (AEGIS-CWA)—alongside the Campaign to Organise Digital Employees (CODE-CWA).
Sega is targeting more acquisitions and not looking to sell up, despite interest from “many” companies.
Yesterday, Blue Protocol’s technical test concluded, and Amazon and Bandai Namco Online are thanking testers for their time and hinting at some of what’s next.
For the team behind Blue Eye Samurai, there was no debate on whether to depict graphic acts of intimacy, even if it meant courting discourse. For all its high-impact fight sequences and blood-soaked melodrama, the show was ultimately about survival in 17th-century Japan, and for women of Edo Japan, that involved sex.