There’s nothing on television quite like the moment in a thriller when a character finally breaks and does something even they didn’t know they were capable of. For True Detective: Night Country, that moment arrives late in episode 5, and it hits just about every character at the exact same time.
True Detective: Night Country is slowly starting to thaw its icy mystery
22.01.2024 - 14:23 / polygon.com
The central mystery in True Detective: Night Country seems easy when the credits roll on episode 1. It’s not that viewers already have the answer, but it at least feels like we can see all the puzzle pieces in front of us. That is, until episode 2. The second, even better episode of Night Country deepens the season’s central mystery with clever world-building and the most disgusting and disturbing ice sculpture on television.
If True Detective: Night Country is about anything so far, it’s about Ennis. More than a little town in Alaska with the nighttime that lasts days, Ennis is a place that’s simultaneously peaceful and terrifying. Rose’s (Fiona Shaw) description of the town to Navarro (Kali Reis) seems close to perfect: a place where the universe comes apart at the seams. It’s a description that takes the strangeness of this world head-on but hints at the softer side of the town, too: The dead find their way back in Ennis (sometimes because they want you to join them). But Ennis is also the kind of town that feels careful and handmade; the seams are wearing like a well-loved toy, not tearing like cheap stitching from a factory.
It’s a beautiful and layered description, but it’s also one that clues us in to what the show is doing. Things here are supernatural, sure; something’s clearly afoot. But that doesn’t mean that zombies roam Ennis or that a quick seance will clear this whole mess up. The dead in Ennis are like the ice: It’s always there, but sometimes it shifts a little, so you’ll notice it. And neither one is giving up its secrets easily.
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Episode 2 opens by unveiling the season’s central mystery: a frozen pile of the corpses of the Tsalal scientists, an introduction that comes with some pitch-black comedy involving a grisly hand-breaking that you have to laugh at just to break the tension. True Detective has a grand history of gruesome crime scenes that are gorgeous in their own dark-hearted way, but this is easily the series’ masterpiece so far. The frozen corpsicle is as grotesque as it is beautiful. It’s disfigured and horrible, each body with its own bizarre self-inflicted wounds, equally inexplicable and begging for some detailed reveal that might show us how any of this could have happened. The whole thing, sitting in the middle of an ice rink, a triumph of set dressing and design, looks like it could contain an infinite number of secrets and details, if only you had the misfortune to look at it for too long.
One of the show’s most brilliant and subtle strokes, though, is one that comes outside of the newly forever-cursed ice rink when Danvers (Jodie Foster) interrupts a classroom to ask her former booty call what exactly it is that Tsalal does. For the deaths of these
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