Antony Starr, who plays Homelander in Amazon Prime show The Boys, has said he is not voicing the famous supervillain in fighting game Mortal Kombat 1, much to the disappointment of fans.
24.10.2023 - 13:45 / polygon.com / Steven Spielberg
Employing a mix of research, deep reporting, and over 100 full-color data visualizations, Walt Hickey’s new book You Are What You Watch: How Movies and TV Affect Everything explores how movies, TV, and pop culture affect… well, everything, from what we watch to what we buy to how we live. The following is excerpted from the book, which is available now.
Japan and Britain largely invented the contemporary playbook for investment in soft power through cultural exports, finding ways to cement their cultural wants and desires through those exports. Korea followed, and with considerable success.
South Korea has used soft cultural power deftly for years. When South Korean or American films or television shows made their way into North Korea, they were potent motivators for those who found their stories and the degree of affluence and lifestyle so appealing, it inspired them to escape the country.
After the Asian financial crisis in the late 1990s, South Korean President Kim Dae-jung loosened the bans on cultural imports from Japan. Later, in 1999, the government allocated $148 million to cultural production after the passage of a law to fund it.
As an industry, Korea’s pop culture business is dominated by one company, CJ Group, operated by founder and de facto queen of all Korean cultural production, Miky Lee, who basically built the film industry in Korea. An heir of the founder of Samsung, Lee has been the longtime patron and champion of Korean film and culture locally and abroad.
CJ, the vehicle that Lee steered to the top of the heap of culture, is an embodiment of Korean industrialization and globalization. CJ Group started out as a sugar- and flour-milling company. Later it moved into food and beverage production, and then Lee Byung-chul founded Samsung, which went on to compose a very substantial chunk of the South Korean economy.
Lee, a granddaughter of Lee Byung-chul, grew up watching American films. By the time she came into her inheritance, she had decided to invest a little money in a company working in the movie business. Around the same time, other Asian companies were already getting their feet wet in Hollywood: Japan’s Sony bought Columbia Pictures, and for a while Matsushita owned Universal, though they eventually sold it to Seagram.
Lee was intrigued by the potential of a company that was being formed by a number of experienced producers attempting something that hadn’t been accomplished since the founding era of film—making a movie studio from scratch. The founders had talent and skill, but needed money. That company ended up being called DreamWorks and, along with David Geffen, Steven Spielberg, and Jeffrey Katzenberg, Miky Lee put up $300 million in exchange for 10.8 percent of the
Antony Starr, who plays Homelander in Amazon Prime show The Boys, has said he is not voicing the famous supervillain in fighting game Mortal Kombat 1, much to the disappointment of fans.
Naraka: Bladepoint is showcasing its next hero, Hadi Ismail, the Visionary before his arrival next week in the final part of Season 10.
Ryu Ga Gotoku Studio’s Like a Dragon Gaiden: The Man Who Erased His Name, a spin-off of the main series featuring Kazuma Kiryu, is out now. It’s available for Xbox One, Xbox Series X/S, PS4, PS5 and PC while also playable for Game Pass subscribers. Check out the launch trailer below.
Given that the Super Mario Bros. movie made $1.36 billion worldwide at the box office when it was released it is no surprise that Nintendo are going to turn The Legend Of Zelda in to a film as well.
Publisher LEVEL-5 and developer LEVEL5comcept have delayed FANTASY LIFE i: The Girl Who Steals Time from its previously planned 2023 release window to 2024.
Given that the Super Mario Bros. movie made $1.36 billion worldwide at the box office when it was released it is no surprise that Nintendo are going to turn The Legend Of Zelda in to a film as well.
Ryu Ga Gotoku Studio’s Like a Dragon Gaiden: The Man Who Erased His Name launches later this week, and reviews are already available (check out ours here). In the meantime, Sega has released a new trailer introducing the protagonist, Kazuma Kiryu, who has adopted the codename Joryu. Check it out below.
Publisher SEGA and developer Ryu Ga Gotoku Studio have released a new trailer for Like a Dragon Gaiden: The Man Who Erased His Name introducing protagonist Kazuma Kiryu, who goes by the codename Joryu.
Packed with enough gadgets to cover a belt for Batman’s trousers, Like a Dragon Gaiden: The Man Who Erased His Name returns to the classic, combo-based street fighting that featured in earlier Yakuza games but enhances it with a fresh technological twist. This time the sharp side of the katana blades aren’t the only things that are on the cutting edge, as returning hero Kazuma Kiryu can employ a suite of state-of-the-art tools for taking out his tormentors as though he’s bypassed the weapons locker in favour of a trip to the Apple store. However, outside of the revitalised combat, almost everything in Gaiden’s toybox feels like a hand-me-down from an older sibling in the series, meaning once the fighting stops it quickly starts to feel a bit too familiar.
It’s easy to feel how Like a Dragon is changing in Gaiden. But that doesn’t mean the latest, un-numbered entry in Ryu Ga Gotoku Studio’s series is eschewing its roots.
Like a Dragon Gaiden: The Man Who Erased His Name and Call of Duty: Modern Warfare III for PlayStation 5, Xbox Series, PlayStation 4, Xbox One, and PC are the highlights of this week’s video game releases.
manages to expand and improve upon its predecessor in almost every way, and despite a few bugs and small qualms, it stands as one of the best life simulation games in years. Just like, this new entry comes from developer Pathea Games and publisher Focus Entertainment, the latter of which has also helped release titles like and. While there will be players who simply don't care for the game's fundamentally task-centric nature or wish for more complex combat, for fans of the genre does almost everything right.