Supernormal Review
09.01.2024 - 01:51
/ ign.com
Has any other demo had the impact of Hideo Kojima's genre-redefining PT? That stunning playable teaser for the scrapped Silent Hills may be a decade old now (sorry, yes, that made me feel ancient, too), but its legacy is still undoubtedly shaping the games we play today. One of the latest to pay homage, Supernormal, says it's the spiritual successor to Allison Road rather than PT itself, another unreleased game that was heavily influenced by Kojima's aborted horror project. But doing the one thing Silent Hills and Allison Road couldn't, Supernormal has actually made it into our hands – and while it doesn't leave the same impact as its inspirations, it certainly has a few moments worthy of them… as long as you're prepared to get through its underwhelming first half to see them.
Like PT, Supernormal takes place in just a single location – Mr. Sakamoto's stylish Japanese home – and it's your job as an investigator named Wyatt to uncover exactly what the hell happened to his daughter, Sophia. Though the home is neat and orderly, there are plenty of signs that something's amiss. There's blood spattered on the piano. Bloody handprints are stamped all over the downstairs bathroom. Flies crowd around a pile of unwashed clothing in the laundry room, where a pistol just so happens to lie idly next to the washing machine. While we're spared the terror of yet another looping hallway extravaganza, Supernormal requires you to become very familiar with Sakamoto's home, and as you move around – exploring inexplicable sounds and following ominous blood trails – the true horror of what took place here begins to come to light.
That can create an appropriately tense atmosphere, but it's one that's frequently shattered by some strange choices, particularly in the first half. For starters, Supernormal's dull opening cinematic is just your character and Mr. Sakamoto sitting in front of each other for three minutes as the sound effects and music get louder and louder until you can barely hear the conversation; a real problem, given the auto-subtitles just stop working, too. Shortly after, you'll wish you still couldn't hear Wyatt, as you're let loose on the house and he talks you through every idiotic thought that enters his head.
"Bloody handprints amidst a piano-loving environment," he whispers, inexplicably, when finding blood on the piano. "It's unsettling to think what might have happened to Sophia. I'll leave no stone unturned in my search for answers."
Yes. He actually said that out loud.
"An unexpected sight," Wyatt adds when he encounters the pistol. "A pistol in this case raises serious concerns. I need to be cautious and determine its relevance to the missing person's investigation."
It's uniformly awful dialogue,