Issa López wants True Detective: Night Country to show how far we’ve come, and how much we’ve forgotten
12.01.2024 - 17:57
/ polygon.com
Let’s dispel any trepidation you might have from previous seasons of True Detective, and all the baggage they carry: True Detective: Night Countryis astoundingly good television. A six-episode stunner where a macabre murder unspools into a layered exploration of an Alaskan town at the edge of Earth, its relationship with its Indigenous population, and the things the Arctic’s long night can do to a person, Night Country is about as good a start to television in 2024 we can ask for.
It only gets better when you hear creator Issa López talking about it. In the lead-up to Night Country’s premiere, the writer-director spoke to Polygon about taking over from True Detective creator Nic Pizzolatto, responding to the original show’s themes a decade later, and the horror that comes from being disconnected from our history.
Polygon: Night Country is only six episodes, shorter than prior True Detective seasons. Was that a tightrope to walk? It’s both a lot of time and not much at all!
Issa López: In my initial conversation with HBO about it, they were like, “How do you feel about True Detective?” and I told them what I had in mind. And they said, “We love it. 10 episodes?” And I was like, “No,”because I wanted to direct every one of them, you know?
And as time went by there were several conversations where they were like, “Seven?” and I was like “No, six.” It was always six. It is tight for all the terrain we cover in the series, but at the same time, I am a firm believer in economy and saying what’s necessary and never overstaying your welcome, leaving people wanting more. So it was a perfect size, I think.
Night Country is based on a story you were working on before HBO asked you about True Detective , yes? Can you tell us a bit about what you initially wanted to do, and the process of making it a True Detective story?
It was a very raw creature. I had a very bare idea of wanting to create a murder mystery in the ice beyond the Arctic Circle. And [I wanted to show] these communities that we are not used to seeing, in this part of America that is rarely shown in a way that felt like real life — you know, like going to the supermarket and picking up your child from school and having a family fight and doing laundry — but at the same time with the backdrop of this very uncanny landscape, almost sentient.
I was playing with that when I got the call from HBO asking what I would do withTrue Detective and I thought it was absolutely meant to be. True Detective is all about the place, the environment. The place is a character in itself. And I thought that it was so amazing to be able to do something that felt so different from the bayou in the first one, and Los Angeles in the second one and from the